The card, in brief: What's so interesting in the upper deck?
Playing career, in brief: Thomasson was a part-time outfielder for the Giants in the 1970s. In 1977 at the age of 25, he had what looked like a breakout season, hitting .256 with 17 HR and 71 RBI. The Giants sold high, packaging him to Oakland as part of the deal that brought Vida Blue to San Francisco. Thomasson struggled with the A's, and was traded to the Yankees midseason, where he was a little-used bench player. He ended his US career with the Dodgers, and signed a big contract to play for the Yomiuri Giants. He struggled mightily in Japan, nearly setting the league strikeout record before being benched.
Meanwhile, the Japanese artist Genpei Akasegawa developed a fascination with objects that were no longer in use but were still maintained, originally inspired by a staircase with no entranceway on the top, but was still regularly repaired. He published a popular book of photos of this "hyperart" - objects not intended to be art but still maintaining an artistic quality. The books showed images of objects that were "maintained in good condition, but with no purpose, to the point of becoming a work of art." A baseball fan, Akasegawa named these after the expensive but useless artifact languishing on the Yomiuri Giants bench - "Hyperart Thomasson". The concept was popular in the 1980s and regained popularity in the 2010s. According to one art blog, Messy Nessy, "On Instagram, there are over 3,000 posts alone under the Japanese “Tomasson” hashtag: トマソン".
Post playing career, in brief: Thomasson has kept a low profile since his baseball career. Anyone know what he is doing now?
My collection: I have 13 of his cards, from 1974 to 1981. I would be interested in trading for 1980 Los Angeles Dodgers Police SGA #NNO.
































